Monday, 27 February 2017

Case Study

INTENT:  After all, a lot of travellers today are seeking spiritual experiences—a place of peace and rest that rejuvenates mind and body. And yoga and meditation retreats are at the top of this list.
LOCATION: The Velliangiri Mountains - Kailash of the South", these mountains are held and revered on par with spiritually most powerful place on the planet - Mount Kailash, the legendary abode of Lord Shiva. On the top of the Velliangiri Mountains, Shiva is worshipped as Swayambhu, one who is self-created and in this form, he graces the devotees.
GEOGRAPHY: The Velliangiri hills form a major range in the Western Ghats in the Nilgiri Biosphere Reserve. The seven hills with altitudes ranging from 520 m – 1840 m are
SURROUNDINGS: bordered by the plains of Coimbatore district to the east, the Palghat district of Kerala on the western boundary, the Nilgiri mountains to the north, and the Siruvani hills on the southern boundary. Many seasonal rivers such as the Neelivaikal, Mayar or Andisunai traverse the hilly landscape.  
Besides, the Shiva Temple of Velliangiri, the presence of the Dhyanalinga is another reason why people throng to the Velliangiri Hills.
TEMPERATURE:
Max 40°C, Min 27°C (summer)
Max 29°C, Min 20°C (winter)
The annual rainfall is quite variable in the hills (500 mm – 7000 mm) with temperatures ranging from 0 °C during winter to 41 °C in the summer.
VEGETATION: Vegetation is predominantly dry deciduous forests of foot hills, second and third mount have evergreen forest and last four belt up shola forest types.
ACCESSIBILITY: The Transport Corporation ply buses between Coimbatore (Gandhi Puram) and Poondi every day. Special bus services are available during festive occasions like Maha Shivrathri. Coimbatore is on the international circuit with flights connecting it to Singapore and Sharjah. On the domestic front it is well connected to Kozhikode, Chennai, Kochi, Bangalore, Mumbai, and Delhi by both rail and road.
CONNECTIVITY: Coimbatore: Bus services are also available from Gandhipuram Town Bus stand to the ashram. You need to catch bus no. 14D. The Isha Yoga Center is the last stop on this route and the fare is INR 14. The bus timings for the route 14D from Gandhipuram Bus stand to Isha Yoga Center and back are given in the table below. The exact timings may vary by ten to fifteen minutes, but even if you miss one bus, the next bus will generally be ready to depart within the next hour.
Bus timings for route 14D
From Gandhipuram
05:30 AM
07:10 AM
08:50 AM
10:30 AM
12:10 AM
02:00 PM
03:50 PM
05:30 PM
07:00 PM
09:15 PM
From Isha
05:30 AM
07:10 AM
08:50 AM
10:30 AM
12:10 AM
02:00 PM
03:50 PM
05:30 PM
07:00 PM
08:50 PM
 CULTURE: These peaks have absorbed from the innumerable sages and seers including the Adiyogi himself, who walked these hills. Making it extremely sacred.
The major attraction for the first-time visitor is the Dhyanalinga Yogic Temple Complex. The Temple Complex is a fusion of various elements, each of which is worth a visit. This is a temple complex and walking barefoot is the norm.
The first place to visit is the Nandi - a large metal sculpture of a bull, reclining in a posture that is simultaneously relaxed and alert. This in a way represents the qualities needed to enjoy meditation.
The Outer Parikrama of the Temple Complex. This is a circular path which runs around the main temple - the Dhyanalinga Yogic Temple. The Outer Parikrama incorporates several mystical and aesthetic elements. The monolithic Trimurthi Panel located behind the Dhyanalinga dome depicts the three fundamental qualities essential for a human being's inner growth: Rudra, Hara and Sadashiva. Rudra is an intense state of mind, Hara is the quality of childlike meditativeness and Sadashiva is an ever blissful state.
Theethakund
This was not only for physical cleansing and freshening, but also to activate and sensitize the energy body of the visitors, to prepare them to fully receive the energies of the space. There are two theerthakunds at the Isha Yoga Center – the Chandrakund for women and Suryakund for men. 

Embedded 30 feet below the ground, and approached by a descent of thirty-two massive steps, the Chandrakund is framed by gigantic granite stones and vaulted by a colorful mural depicting the Mahakumbha Mela. Measuring 55 x 15 ft., this exquisite artwork follows the traditional Kerala style of painting dating back to the 15th century, using only natural colors and vegetable dyes.

The Suryakund is larger and measures 130 by 40 feet, and is embedded 22 feet in the earth. It is surrounded on three sides by a wall of 200 massive, 50-ton granite blocks. One major feature of the Suryakund that nobody can miss is the Sun sculpture of brass and copper which hangs from the ceiling  20 feet across . 
 DHYANALINGA MEDITATION TEMPLE
monolith - the Sarvadharma Sthamba. Symbols of major religions inscribed on three sides of thissthamba represent the multi-religiousness of the temple. Its back bears the schematic depiction of the seven chakras of the human body in the form of lotuses representing different levels of consciousness.
1. The rising stone sun crowning the sthamba symbolizes a new dawn, while the pattern of fallen leaves beneath the sun signifies death of the past
Beyond the Sthamba lies the stone gateway that follows the principles of traditional Indian temple architecture. To reach the open pathway or the parikrama which eventually leads to the sanctum sanctorum, one crosses 2.three entrance steps signifying the tamas, rajas and satwa gunas, the basic qualities of the mind. The unusual height of the steps forces the visitors to press their feet firmly on its pebbled surface, thus activating the nerve centres in the body - a preparation to be more receptive to the energies of the Dhyanalinga. The parikrama is flanked by aisles covered by six artistically sculpted granite panels illustrating the stories of six south Indian sages. To the left stands the 11-foot-tall statue of Patanjali, the author of yogasutra. Deliberately placed in a sunken shrine to establish an immediate kinship with the visitor, this black granite sculpture combining the forms of snake and man, depicts the duality of human nature. Facing Patanjali and placed at an elevation is the Vanashree shrine, a green granite sculptural relief of a Pee pal tree. Between them, the linga, Patanjali and Vanashree form a IS-degree triangle. Explaining the significance of this geometric form, Sadhguru says, “As a linga has no orientation of direction, you need something to draw the people if they are to experience the linga The The parikrama ends at a vaulted tunnel that leads into the dome. Carved on the threshold of the entrance are 3.two snakes with a single raised hood, indicating the non-dual nature of the Dhyanalinga. 4.Over the vault is a seven-hooded monolithic snake, symbolizing the seven dimensions of life. The dome that encloses Dhyanalinga is a section of an ellipse - representing a section of the globe. The Dhyanalinga temple layout may be a simple fusion of geometric shapes, but it is a profound space for meditation. On the periphery are congregations of modulated spaces that subtly prepare the visitors for meditation. Raised 33 feet from the ground, the dome weighs around 800 tonnes and has a diameter of 76 feet at the base. It rests on a six-foot-high circular stone wall including a ring of two foot-tall stone lintels. The entire structure is built upon a foundation that is 10 feet wide and 10 feet deep. Nearly 2,50,000 bricks have been used to create about 250 layers, starting at a vertical angle of 13 degrees and ending at 82 degrees to the horizontal. The 20-inch-thick base of the dome tapers to 8 inches (a single brick) at the top. “All bricks were soaked in water for 24 hours to ʻmeltʼ the unburnt ones.
28 ventilators are placed atop the lintel beams with stone slabs in the shape of a triangle for natural light and ventilation. Covered by a gold-plated linga-shaped copper dome to block direct light, the central opening acts as ventilator and thus keeps the space cool. Below the lintel beam 28 energy cubicles called the aura cells, are embedded in the inner wall. Each aura cell is about 4ʼ X 4ʼ and provides an intimate space for a person to sit and meditate facing the Dhyanalinga
Traditional materials like burnt brick and mud mortar stabilized with lime, sand, alum and herbal additives were used along with huge blocks of granite. “Natural materials used here are as old as the earth and will live as long as she does,” smiles the spiritual leader. “If you go to any archeological site, the first thing you find alive is pottery
The simple technology of this dome is that all the bricks are trying to fall down together but they canʼt. Itʼs like ten people wanting to get into a bus at the same time and nobody gets in.”
The resonating sound of water that drips onto the linga from the hemispheric gold-plated copper dome suspended overhead, the shimmering reflection of the oil lamps on the golden dome and the pervasive silence makes the experience ethereal. The natural draught or air and the choice of natural materials make it a cool and soothing space, which breathes through every pore.
The Dhyanalinga Yogic Temple is a meditative space and is said to be the first of its kind to be completed in over 2000 years. It was consecrated in 1999 by Sadhguru and it does not ascribe to any particular faith and is open to all irrespective of their religion or nationality. It is open everyday, irrespective of national or cultural holidays from 6am to 8pm. Uniquely among Indian temples, it remains open even during eclipses. Entrance is free. Measuring 13 feet 9 inches, the Dhyanalinga is the largest mercury-based linga in the world.
·         The Inner Parikrama is the intricate pathway leading to the Dhyanalinga Temple. On the left is the statue of Patanjali, regarded as the father of yogic sciences. On the right is the Vanashree shrine, the feminine deity of the Dhyanalinga temple. Six artistically sculptured granite panels cover the aisles, illustrating the stories of six South Indian sages who attained enlightenment. Each panel captures a moment in these extraordinary lives. The Parikrama ends at a vaulted tunnel that leads to the dome of the Dhyanalinga. The earthy colors, the natural granite, the attention to details and the shapes that form the Dhyanalinga temple create a warm and esoteric ambiance.
·         The elliptical Dhyanalinga dome that houses the linga itself is 76 feet in diameter and 33 feet high. It is a pillarless 250,000 brick structure and was built with brick and mud mortar stabilized with lime, sand, alum and herbal additives without the use of any steel, cement, or concrete. The technology used is this - all the bricks are trying to fall down at the same time but the way they are aligned and balanced ensures they can never fall. This design is similar to that of Roman arch bridges where the keystone ensures the stability of the bridge. The nature of this design ensures a lifespan of at least 5000 years for the dome. The natural draught of air and the choice of natural materials make the dome a cool and soothing space.
·         The meditative and spiritual nature of the inside is further amplified by, Nada Aradhana, an offering of sound to the Dhyanalinga with an ethereal blend of vocals, singing bowls, drums and various other instruments. The offering takes place twice during the day from 11:50 a.m. to 12:10 p.m. and from 5:50 p.m. to 6:10 p.m. These are the only times of the day when the usual silence within the temple is broken.
SERVICES: Water:The Noyyal river originating from Velliangiri hills is one of the major tributaries of the Cauvery, which irrigates about 100,000 of hectares of agricultural land in the plains. The Velliangiri hills watershed feeds into the Siruvani dam, which is the main drinking water supply for 1,500,000 people in the urban centre of Coimbatore and isha has 2 OHTs of capacity 300 cubic meters sufficing the needs of about 20-30k people .
HT towers : uninterrupted HT power supply to Isha Foundation from the 22-KV Siruvani Water Works Feeder are located 35 km (22 mi) west of Coimbatore in the Western Ghats


Saturday, 25 February 2017

Breathe in, breathe out at Isha!

                                                         Courtesy:Ishafoundation.org


Although I know a lot of people who have stayed at an ashram, I’d never been to one myself, mainly because I’m not a fan of organized religion. But when a friend convinced me that almost anyone can gain from a visit to a place like the Isha Yoga Center, I decided to survey it for myself. After all, a lot of travellers today are seeking spiritual experiences—a place of peace and rest that rejuvenates mind and body. And yoga and meditation retreats are at the top of this list.
After a short flight from Bangalore to Coimbatore, I took a 1.5-hour car ride from the airport to the foothills of the Velliangiri Hills, where the centre is located. The centre’s indoor and outdoor spaces were attractive and well designed; in particular the profusion of greenery and gorgeous flowering plants were soothing. I had imagined a more basic and austere environment, I wasn’t expecting to see carved rocks, aesthetic woodwork, and inspired design in the architecture.
On check-in I was handed a schedule of the week’s programme of activities which I could attend. Talking to other visitors I quickly realised that at this centre, relaxation and a peaceful mental state do not equal lazing. The path to improving one’s health and finding deeper meaning to life, they believe, is through rigorous yoga, meditation, and regulating one’s food habits. This wasn’t going to be a walk in the park.
The Isha Center aims to be inclusive and universal and it was clear to me that it offers something deep and meaningful to the over 4,000 volunteers that live there. It has thousands of visitors coming in every day from a variety of cultural, religious, and economic backgrounds. Many seeking spirituality and a healthier lifestyle come for short courses or just for a few days to acquire a yoga or meditation practice that can become part of daily life.
However, because the experience that the yoga centre offers is derived from yogic culture, Shiva is considered the Adiyogi or the first yogi. From the huge Nandi bull at the entrance, to the linga at the Dhyanalinga Yogic Shrine, and the rituals at the Linga Bhairavi shrine, the symbolism, associations, and various features at the ashram derive from what I understand as Hinduism. That said, during my three days there I didn’t hear a word about “god,” even Shiva was not spoken of as god, nor was there any talk of heaven or hell, superhuman controls, or victory over evil. Instead, what I did hear a lot of was how I could enhance the quality of my life, the perception of everything around me, and increase my consciousness of the present.
Those like me who are unsure of what exactly they want to experience at this centre can book a room and then examine the possibilities available. For many, the day starts with a dip in the teerthakunds, the ashram’s sacred water bodies. One afternoon I changed into a robe and walked down a steep flight of stairs 30 feet underground to the large subterranean pool called the Chandrakund. The water was freezing and I only managed to stay in it longer than a few minutes because I was distracted by the lovely painted mural on the wall. At 5 a.m. one morning I saw yogis heading to the teerthakunds, but I didn’t want a second dip given how cold I had found it the first time. I directly headed to the most striking feature of the entire centre, to me.. which was the Dhyanalinga meditation hall and few meters away from it was the Linga Bhairavi Shrine.
These two temples or spiritual spaces couldn’t be more different from each other. Dhyanalinga Yogic Shrine is a spherical pillar-less brick dome, which is empty save for a large black linga at the centre. At the entrance is a column on which I saw the symbols of various religions of the world. It symbolizes both that this is a space of no religious affiliation, and one that welcomes people from all of them. Groups are led into the unlit, empty space where no one speaks. You don’t go there to pray or perform any ritual. That’s perhaps what appealed most to me. On one occasion a lone sitarist played a soulful tune lifting the energy in that windowless space and allowing me to be very, very still. With eyes closed in meditation it allowed me to unwind; the stillness, and giving up of stresses of everyday life was one of the highlights of my time at the centre. The more popular temple is the Linga Bhairavi, which was bustling with visitors when I visited. I spent a few minutes and exited. For me in essence it was a religious space akin to other Hindu temples while I personally preferred the Dhyanalinga. But others find it deeply meditative and serene. The devi at this temple is also said to fulfil wishes of devotees.
 Courtesy:Ishafoundation.org

At the end of my long weekend at Isha, what I realised was not rocket science: I needed to find time for myself, practice yoga, meditate, and eat healthy on a regular basis. All the things I knew, but had long ignored. But that’s exactly why a short break at an ashram like this is sometimes needed—to drive home simple messages and to offer direction on how change can happen.
No place is for everyone and neither is Isha. It is good for those who want a spiritual retreat with or without religion. A point to note is that though it is not religiously affiliated it does have strong elements that are rooted in Hinduism. Simply put, visitors imbibe as much religion and ritual as they want.

I came back home with the strong conviction that I ought to change the way I am living. Most importantly, it was a wake-up call to find time for my body, mind, and overall wellbeing.

Thursday, 23 February 2017

My thesis synopsis

"JAACHNA - An Experiential Peace Center"

SOURCE: https://www.google.co.in/search

INTENT:                                     
We get it. Life is busy. There are obligations lots of them and stress. So much stress. And some days we crave a reset button where we can just get away and come back with a fresh perspective. Well, you can. And it's easier than you think to find ways to relieve stress. It doesn't need to cost a fortune and require a complete rearrangement of your schedule, but you do need to do it.

My intent is to create a space where people can utilize their precious time to spend quality time in INTERACTIVE SPACES WITH FAMILY AND FRIENDS through architecture as well as QUIET SPACES to rejuvenate their inner self confidence and to enjoy private individual time within a Peaceful environment. Spaces which help to showcase, enhance and encourage people's UNTAPPED TALENTS. Leisure spaces which act as the best get away from their daily routine, hectic life, heavy traffic and jams on the roads. LEARNING SPACES which helps take your mind off your never endings problems. Barring technology and releasing the related induced anxieties through MUSIC. Revenue generating places like A SOUVENIR for all the ones who finds shopping stress busting.  One way flow, EXPERIENTIAL SPACE that takes you thinking back in time on good memories.
My main intension is to integrate all these spaces with nature because when people are in harmony with nature, they forget about their problems and learn to listen to their heart.

OBJECTIVES:
•To create a peace center as the main focus which acts as a get away space for people living in today's fast-forward world.
• A node which caters to the different ways of rejuvenation and attaining peace to a varied types of minds, likes, and age groups through various forms put together in harmony within one delineated space.
•To create a space that has high value - by making it MIXED USE whose roots are strongly attached to peace making, cultural revival and extracting best of human resource.
•To develop multi functional built masses to sustain different activities and these activities in turn, make the built masses evolve and develop.

DESIGN BRIEF:
•Quiet spaces - Peace - Meditation - building obtained by single mode of silence, construction through natural modes of light and ventilation.
•Interactive and experiential revenue generating spaces – interactive spaces, café and souvenir shop.
•Learning center - indoor and outdoor workshops for music and art.
All of the differences in the above spaces, with their varied functions, demands, requirements, etc is aimed to be blurred with MUSIC as all of their common attribute.

CASE STUDIES:
Learning, interactive and experiential centre:             
 1) Karnataka Chithrakala Parishath, Bangalore
 2) Indian Music Experience Center, Bangalore
Peace and fitness center:
 1) Isha yoga center, Coimbatore,
 2) Pyramid valley, Bangalore
 Leisure space:
 1) Shreyas Retreat, Nelmangala

SITE LOCATION:
SAVANDURGA
A hill 60 km west of Bangalore, Karnataka, India) off the Magadi road. The hill is considered to be among the largest monolith hills in Asia.[1] The hill rises to 1226 m above mean sea level and forms a part of the Deccan Plateau. It consists of peninsular gneiss, granite, basic dykes and laterites. The Arkavathi river passes nearby through the Thippagondanahalli reservoir and on towards Manchanabele dam.




Friday, 17 February 2017

Inner peace, a quest for life's meaning

"You want to look deep down and find something profound about yourself" - Werner Erhard.


While most films avoid themes about self awareness, personal growth, and transformation, setting instead for comedy and drama within accepted religious or community guidelines. This subject matter, however, is tackled head on(if somewhat superficially) in Eat Pray Love, a film Ryan Murphy based on the bestselling book by Elizabeth Gilbert. Written by the director and Jonathan Salt, starring Julia Roberts as Liz Gilbert is an entrancing travelogue, a romantic comedy, and a spiritual adventure all wrapped in one engaging package. 

This film is convincingly stirring and hits all of the emotional notes that movies are supposed to hit. It's dreamy, it makes you think, and it even makes you cry.

Some moments have been fashioned with heavy hands, that you can feel the filmmaker pushing you to feel something. 

The jest of this movie can be coined in one single sentence, that is, "Lapping up Gelato in Italy, seeking spiritual guidance in India and falling in love in Bali".

This has been tried to achieve through the attention to detail, the atmospheres of Italy, India, and Bali were all brought to life by portraying each of their varied customs, practices, culture, streetscapes, and the vibrancy in the vocabulary of the buildings.. so diverse, so certain to different corners of the world.

The first plot indulges in the exploration of the streets of Rome, manifested by all the massive walls, punctuated by arches, domes, etc of Italy and down the Via dei Cappellari. A perfect essence of Rome and Roman architecture has been captured in the movie through their stroll down the Hatter's Streets featuring important sculptural and  architectural creations with The Famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers flaring its Majesty at the central stands. Topped by the Oblisk of Domitian and the Church of Saint' Agnese. These powerful but yet beautiful sculptures leaves the actress pondering, helping her forget about her agony of the past and live in the moment. Simultaneously, she aims to take her taste buds on a roller-coaster ride with the world famous Italian cuisine, in search to EAT.

The next cine-plot was shot in the beating heart of India, through a myriad of colorful street markets and the vibrant festivals against the backdrop of pink hued palaces and majestic mosques. Liz flies down to India in search of inner peace, to attain enlightenment and to savor her few hours of freedom and solitude amidst huge, serene and peaceful surroundings of Sri Mandir Temple, set against the movement of the clouds in the crystal blue sky, acting like a camouflaging canvas from the ever changing hues from blue to pink to finally orange, acting as a mode for the birds to fly back home. Thus, complimenting the magnificence of the outline of the temple making it a perfect place to PRAY.

Liz's quest for love brings her to the island of Bali in Indonesia. She arrives at the small town of Ubud through the colorful markets and spends time cycling through the rice terraces and the coconut plantations on one side and on the other, Balinese architecture is portrayed at its best, for being one of the most popular Asian tropical architectural styles, with a distinct flair for being in harmony with nature cinematographed beautifully through the outdoor private pools and tastefully appointed villas with rice paddies or valley views. Another striking feature is the usage of natural organic materials such as thatch roofing, bamboo poles, woven bamboo, coconut wood, teak wood, brick and stone which is marvelously reflected in the place of her stay in Bali where she eventually finds herself in LOVE.


EAT PRAY LOVE, directed by Ryan Murphy, based on the book "Eat Pray Love" by Elizabeth Gilbert, Plan B Entertainments, August 13, 2010.